Film Categories
Art Periods
- 1.Early Cultures
- 2.First Civilizations
- 3.Africa
- 4.Pre-Columbian America
- 5.Romanesque and Gothic
- 6.Renaissance and Mannerism
- 7.Northern Renaissance
- 8.Rembrandt
- 9.Baroque and Rococo
- 10. Neo-classicists and Romantics
- 11. The Victorians
- 12. Impressionists and Post-Impressionists
- 13. Art Nouveau
- 14. Expressionism
- 15. Cubism and Futurism
- 16. Into Abstraction
- 17. The Bauhaus and De Stijl
- 18. Dada and Surrealism
- 19. Modern Masters
- 20. Modern and Contemporary Sculptors
- 21. Contemporary Painters
- 22. New Directions New Dimensions
- 23. Modern Architecture and Design
Films to Buy
- French Romanesque Art
- Romanesque Painters
- Romanesque Architecture of Alsace
- Romanesque Architecture of Burgundy
- Romanesque Architecture of Languedoc
- Romanesque Architecture of Normandy
- Romanesque Architecture of Poitou-Charente
- Romanesque Architecture of Provence
- The Norman Conquest of England
- English Romanesque Art
- Pisa, Story of a Cathedral Square
- The Romanesque in Austria
- And They Sang a New Song
- Popular Art in Brittany
- The Master Builders: The Construction of a Great Church
- Looking at an Abbey
- Building an Abbey: Rievaulx
- Villard de Honnecourt: Builder of Cathedrals
- Visions of Light
- Antelami: The Baptistery of Parma
- Art in the Making: Italian Painting before 1400*
- The Birth of European Painting
- Dijon: The Four Grand Dukes of Burgundy
- An Eye for Detail*
- Beaune: Rogier van der Weyden
- Buildings and Beliefs
- Ecce Homo
- Carved in Ivory*
- Looking at a Castle
- Castles of Northumberland
Buildings and Beliefs
Medieval Social Structure and Spirituality
20 minutes, color, age range: 16 - adult, #176
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This exploration of a typical parish church - All Saints, York, England - shows how much can be learned about the social and religious beliefs of those who built it and extended it over the centuries. The starting point is the structure itself. The surviving fabric can tell us a great deal about the sequence of construction; a model is used to show the development and enlargement of the building and its division into different parts. All Saints was situated in the industrial part of the city - evidence of various trades and industries can be seen in the symbols on coffin lids. Further evidence comes from written records such as fourteenth-century wills, which contain a wealth of information about funeral arrangements and bequests for improvements to the church - these indicate the increasing prosperity of the local merchants and tradesmen. New glass windows were inserted, and the aisles were divided and widened to put in more side chapels so that masses could be said for the departed who had left money for the purpose. At one time there were five separate altars. Merchants also gave money for the establishment of a hospice for the poor and sick. Altogether the fabric of the building, together with its records, is a rich source of historical information.
This program is particularly suitable for teacher training.
Part of the series Frameworks of Worship
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Credits
Director: John Murray
Writer: Richard Morris
Narrator: Roberta Gilchrist
English Heritage:
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