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Films to Buy
- IMAGO Meret Oppenheim
- A Mental State*
- Steinberg
- Vasarely
- Lichtenstein in London*
- Tom Phillips*
- Adventures in Perception*
- Bridget Riley*
- The Reality of Karel Appel*
- Antonio Saura: Confessions*
- Howard Hodgkin: A Study*
- Francis Bacon*
- Francis Bacon: Paintings 1944-62*
- Josef Herman Drawings
- Contemporaries - The Quest for Reality
- Brendan Neiland: Evolution of a Commission*
- Victory over Death: The Paintings of Colin McCahon*
- Contemporary Mexican Art
- Eugène Ionesco: Voices, Silences
Tom Phillips
50 minutes, color, age range: 14 - adult, #593

Tom Phillips Camberwell and Peckham Versions
Tom Phillips works as a painter and graphic artist, and musical composer. He was born in London in 1937 and studied at St Catherine's College, Oxford (1957-66), and at Camberwell School of Art (1961-63). He taught at Wolverhampton College of Art and at Bath Academy of Art, Corsham (1962-70). Since 1965 he has held numerous one-man exhibitions in Britain and abroad, including a retrospective show at the Vaduz Kunsthalle, Basle (1975). A central aspect of Tom Phillips's approach to painting is a concern with process, reflected not only in the structure of individual paintings but in his meticulous documentation of the development of each work. The film is true to the spirit of this concern in its overall shape and the way paintings are shown.
A few works - A Humument (1971-76), Benches (1970-71), Mappin Wall (1970-74) - are explored in detail and, by using the artist's own documentation, their development is traced from initial chance encounters (a postcard on Euston Station, for example) to completion. A Humument, an on-going element in Phillips's work derived from the Victorian novel A Human Document, opens the film and provides linking text and images for the sequences that follow. The artist provides his own particularly clear commentary.
Credits
Director: David Rowan
Script Consultant: Eric Rowan
Title music: Michael Nyman
Original music: Gavin Bryars
Arts Council of Great Britain:
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