Film Categories
Art Subjects
- 24. Landscape into Art
- 25. The Human Figure in Art
- 26. Animals in Art
- 27. Religious Art
- 28. Drawing and the Graphic Arts
- 29. The Photographic Image
- 30. Art, Architecture and the Environment
- 31. Films for Younger Audiences
- 32. Art and the Subconscious
- 33. Art Appreciation
- 34. Dealers, Exhibitions, Museums and Critics
- 35. Conservation and Preservation
- 36. Techniques of the Artist
- 37. Archaeology
Films to Buy
- Claude: The Roman Landscape*
- Caspar David Friedrich*
- Caspar David Friedrich: Landscape as Language
- Constable: The Changing Face of Nature*
- Turner
- Corot
- Victorian Painting - Country Life and Landscapes*
- Art in the Making: Impressionism*
- Victor Hugo Drawings
- Renoir
- Giovanni Segantini: Life and Work
- Fauvism
- Bridget Riley*
- Circle of Light
Giovanni Segantini: Life and Work
45 minutes, color, age range: 14 - adult, #418
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Giovanni Segantini Midday on the Alps
An awareness of the human need to identify with a specific place, an archetypal landscape to which one returns again and again, is fostered as an idea in the Alpine paintings of Giovanni Segantini. The myth of the mountains, releasing us from everyday life and confronting us with the eternal qualities of nature, transcends human existence so that we can see it as part of a cosmic wholeness. Such strong emotions are rendered in a non-sensationalist way in this film, which compares Segantini's vision with the actual landscape in a flow of quiet and rhythmical images. The paintings, the beauties of nature and the thoughts of the artist tell their own tale. Only a small amount of information is given in connection with place, time, motive and theme; art-historical, philosophical or theological interpretations are dispensed with.
The medium of film, better than any other art form, links the immediate experience of nature, its translation into art, and its symbolic interpretation. Panoramic scenes are shot from the same positions in which Segantini installed his sometimes enormous canvases; the camera shows the real topography of a place, and then shifts easily into the world of the paintings.
For more information see section 12 and section 30
Biographical details about Giovanni Segantini
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Credits
Director: Gaudenz Meili
Writer: Guido Magnaguagno
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